amir comes back to finale sessions aided by the vocals of cecilia bruun hansen. amirs production really stands out with his wicked drums & massive bass lines. 4 tracks that appeal to the heads.

jeremy glenn continues on his quest to go deeper in this 4 track ep for quintessentials. the title track, wait for the night is anchored by a pulsing organ bass line, complimented by dark, pitched down vocals, simple lead lines and the occasional falsetto from glenn.

l.a.g second 12inch comes in the form of a head-to-head featuring point break and jordan. each take a side and two tracks each, providing lush melodies, throbbing bass and a forward thinking take on house/techno. seriously killer jams, highly recommended!

welcoming warrior one to losing suki, the man like carl faure has been knocking out some killers for labels like black butter, catskills and king pigeon over the last few years, and for suki he shines a light upon the garage house hybrid sounds…. title track 5ths kicks things off with the kind of punchy garage house swing that never fails to move you, airhorns and synth sweeps pepper the cut whilst a thundering double 99-esque bassline throbs hard and heavy. flipside, the reverberating keys and mc licks of nyc continue warrior ones indulgence of the classic us house sounds but with a slick production for the modern dancefloor. closing track only you presents orgasmic pads and tough garage beats, its meaty bass touching the spot, a sweet slice of when rave met garage (somewhere in a field off the m25, most probably).

second release of the wild division records signed by duster traum (white rose) on his second release and remixed by miki craven and spear. a1 is the original track straight to hell signed by duster traum with a nice simple and minimal bass line and some hypnotic detroit sounds the reminds some of the markus suckut productions. in a2 we find miki craven with a dark remix. powerful production with huge space reverbs effects, nice stereo image. banging!

superb collection of early 90s underground deep house classics by the legendary dub maestro mk. first up is the hard-to-find remix of terence trent d arbys >surrender< which takes d arbys soulful vocal and puts some classic mk fire underneath it to create a awesome deep house banger which received heavy rotation both in the clubs and on the airwaves. next we get one of mks best dubs - his brilliant take on the b52s >tell it like it t-i-is<, a chugging house belter which adds a haunting bass and melody to the bands expertly chopped up vocal chants. the flip side keeps up the pressure with the awesome dub mix of betty boos >thing goin on<, another of his finest dub mixes, and lastly the in-demand classic >bicycle dub< of the pet shop boys >can you forgive her<, only ever available as a limited promo but huge on the underground scene.

uk bass heavy garage & house rooted ep by frits wentink aka steve mensink, the man behind the will & ink imprint. dj support is killer with red rack em: i remain a massive fan, ripperton (ace 5/5), axel bowan: 100% support from the north, deetron: another winner .. early recloose in the best possible way, laurent garnier: brilliant, tom trago: sick and rainer truby: yeah amongst others

new kanada welcomes londons bob bhamra into the chamber, with this two-track breaker from his west norwood cassette library (wncl) guise. >say what?< is a broken sub workout, with a strong nod to the hardcore continuum. distant alarms, aggressive drums, and deep bass drops make this a floor-killer for all sound camps. >flashlight< is an aqueous solution of damp funk that will resonate the head and drop the lights. gaseous and moody. on the flip is a slow burner remix of >flashlight< by adam marshall - sitting somewhere between tired breaks and acid reggae. 11 minutes of moog.

vinyl only! no digital!the new music label from leipzig zwischenwelten was founded by chris manura. the new label will mainly release own music but also productions from various artists. the remix from douglas greed (freude am tanzen, noir music) is very bassline styled music. zwischenwelten is a sublabel of dirtydrivesounds and open to all kinds of individual music from it defined by modern bass music but with an individual to the music. 200 handmade package copies!

the great long lost album from this 60s us band, re-issued on 180 gram vinyl. musically in the style of iron butterfly or banchee, with great fuzzed-out guitars, booming bass and screaming vocals, including the 14 minutes long spaced-out track *my main woman*.

mikal & break - status low : the ep opens with the step out monster *status low* a south country collab between co- conspirators mikal and break, it is a dj tool that stops for no one. the breakdown rolls through with drums and fx and then delves into even lower bass territory. it is a classic mikal & break affair - steam train, screw face and stepping.

waxing egos ep is system2s debut release.waxing egos is an electronic/techno rolling 909 inspired track. with a distorted bass & clean drums, weird builds & simplistic drops the track is an up tempo stomper

before birthing his blasted acid house identity bobby draino drummed for various synth-punked groups around vancouver, and some of that scorched earth live energy bleeds through the five primordial bangers comprising his vinyl debut, *brain drain*. tracked live through one channel of a space echo straight to his computer, draino’s mo is overdriven drum machines saturated with gritty fried acid, bass damage, and blown-tone sequencer patterns, fused into a radical and weird debased mutant house. the eps five tracks are the cumulation of two years of demo workshopping, tr-606 and 303 autodidacticism, warehouse party spelunks, etc, all savvy tactics for developing a shredding, progressively singular style, which bd has in spades. one of the most awesomely wrecked and raw silk slabs to date. a west coast wiz worth watching. mastered by eric hanson. edition of 430.

just checking is a clear nod to the early works of ron trent & chez damier. tiltons plane has a massively chugging bass line coupled with a gritty conversation about the finer points of self perception.

for one day ep is the second release of ftwr recordings.
môme (fragil, 4lux, housewax) drops here 2 housy & deep dancefloor bomb. och (trelik, bass culture, autoreply) & jonas sella (telegraph) take you in a brilliant journey through house music, micro-house & techno.

prime numbers highlight the most hyped trus me track from his >treat me right< album released earlier this year. somebody is an insistent, throbbing production championed by many a dj in 2013 including daniel bell, mcde, deetron, ben klock, bicep, nina kraviz & guy gerber. hypnotic acid bass pulses under shifting cymbals & claps with jacked-up, penetrating snare breakdowns. simple, classic & effective. following his recent excursion on the ann aimee imprint mosca remixes for the flip. dropping the tempo he indulges in a burning bass heavy affair, stripping the minimal original even further back & subtly crafting the parts to create a spacious, heads-down groove. a masterful rework indeed.

a column of bull ants moves across the rain forest floor, constantly moving limbs shift like the tidal flow of a river. each carries a large bright leaf in its mandibles maybe twenty or thirty times its size. the column swerves around a tendril-like air duct that services a chamber below. one strays too close and slips down still carrying its leaf. it flies down the air pipe and is projected into the interior of an anechoic chamber. beads of sweat ooze down bintus grizzled brow as he continues experiments into noiseless ultra bass. if applied correctly this acoustic energy can have devastating effects.

ltd repress !!! another main player of the current elite of deephouse producers makes an anonymous but definitely not impersonal appearance on the ever great story imprint. right from the beginning of >fascinated< we get slowely woven into a maze by the spellbinding introduction of a sultry soulstress and when the eeriy string, gentle harp sweeps and a swinging yet almost coy beat fall in it only adds to the feeling of hazy, latenight intimacy. >taj mahal< has a more robust, earthy beat with tabla and deep twangy sitar sounds panning around, making you see all these groovy colors and feel like you are lifted above ground and even >you better find a job< - despite its title - doesnt even try to pull you back to earth and into dull reality. its warm pulsating bass, psychedelic feedback and flanger sounds much rather urge you to flip that record over again and stay in the groove

creaked records is proud to present pole ep - the ambitious, moody, low end laden debut of swiss native gaspard de la montagne. from the beginning to the end its clear that this three track ep was tastefully put together by a passionate bass music lover to touch others of a similar inclination

passend zur weihnachtszeit gibt es hier das 3x12inch anuse gueule dessert pack direkt fuer eure hueften! mit tracks & remixes von mollono.bass, marc depulse feat. boe van berg, alex q, indie jules (adah kaleh), yuuki hori, cajuu, jules und jazper, sandru sowie marius drescher & iorie

classic house , back in stock

the package comes with a raw club cut aimed for the tech house floors, a james welsh (hypercolour, join the dots) remix for the uk beats and bass approach and a deeper 303 led techno journey done by german patrick chardronnet (connaisseur, poker flat).

following a noticeable entrance onto the dame-music roster with the dame-music 021 *the jonh red hawk project*, anaxander returns on bloody marys imprint for an other fine ep. with a deep, spooky and atmospheric introduction, *you saved my life (brothers and sisters)* cruises through with rolling drums and metallic bass softened by pads. this subsequently evolves into that anaxander signature melody as the track twists it way to an uplifting mood.

meta014 is undoubtedly one of the most eagerly anticipated metalheadz releases in the labes entire history! this milestone outing sees a long overdue debut release for one of the drum and bass scenes greatest talents dom & roland. his constant output of critically acclaimed work, over nearly twenty years, has contained some of the biggest tracks this genre has ever spawned. we proudly present two brand new outstanding examples of his production genius for your listening pleasure.

ruairi kennedy is klose one, a fierce and respected dj with a history of playing some of the finest pirate stations out there (including currently hosting the school records show on rinse) and is renowned for his outstanding sets at major festivals and clubs. now turning his hand to production, his debut comes on loefahs co-run label school records and follows previous eps from dusky and paleman. this to-the-point two tracker offers a brace of raw tracks that straddle the divide between the rawest vibes house, bass and techno have to offer and makes no compromises along the way.

mike okay is back on the dancefloor after a big roadtrip during the worlds largest kindergarten. his new release, called fogel, comes along in three different versions. the original, an edit from himself and a remix from the old but newborn fly motherfucker. you can take the mike versions as sure shot for good vibriations on every floor.... continoues groove and some sweet kids behind the mic are the main cheese, whats fully filled up with fat bass. when you start or end the night try to handle the fly motherfucker remix. the slower walking groove is straight right for this. mixed up with the emo synthi its just a wonderfull dreaming interpretation and perfect to fall into a moody winterdancefloordepression. so the next what! what! episode from its founder mike okay is on the run.....lets fetz!

the analogue cops present a fine 4 track ep for hypeltd, *in plain clothes* ep is raw, distorted and heavy, just the way we like it. the italian team have already caught our ears with releases on bass culture, bleep and their own restoration records, and collaborations with the likes of blawan, ryan elliot and alex picone.

recorded whilst battling insomnia during a cold and bleak berlin winter, jack dixons new ep finds him channeling the light and the dark of his home city. inspired by the bygone euphoria of early analogue techno and the harsh industrial landscape outside his window, the three tracks of those questions swirl vinyl crackle, ghostly rave vocals and human heartbeats around pounding jackhammer bass, intense drops and intricate house rhythms. the result is a perfect encapsulation of the curses and blessings of a sleepless hibernation. it is an atmosphere also present in the hazy drones and pulsating sub-bass of skudges exhilarating, analogue remix of heirloom, the revered swedish duo tuning down the filters and reinterpreting the track as a ghostly and paranoid low-end basement banger.

limited to 300 copies. rolling, bass-heavy deep house and techno from loopdeville on new label delooped. fans of the odd music releases will go nuts for this!

touch of class records brings you a touch of magic, pulling the veil over the musical duo that is pattern drama. the duo comprises of rami abousabe, also known as rami deejay and corey baker, one third of uk trio wildkats. these two genuinely talented dj/producers have graced the underground dance music scene for over ten years, presently calling nyc their home. the duos debut ep *sweet romance* is tocrs third release and heralds the musical qualities that the imprint stays true to their sophisticated rhythms, laid down with infectious bass lines and of course, polished off with a touch of class.

ponta do sol is a homage to one of the greatest places known to man. madeira island. it also expresses perfectly the actual indian summer we enjoy in berlin.past summer euphoria meets the arising melancholy of fall-winter. lets dance! is inspired by a break from a unknown english indie band from the 80 s. the origins of the mix reach out to the style of vsq releases back in the days on combination records. uplifting bouncing house beats and chord progressions meet funky basslines.lets hustle! contains squeaky harmonics and chords that will drive you mad just until you will be relieved by a driving acid 303 underlined by a monster sub bass pattern. lets rock!

fijuka sind ankathie (voc./synth.) und judith filimónova (bass/voc.). dieses deutsch-österreichische duo (burghausen/wien) hat sich auf der kunstuniversität in wien kennengelernt und schnell, im zuge gemeinsamen herumlungerns in schäbigen spelunken, seine gemeinsame vorliebe für pop mit einem dunklen twist (und einem augenzwinkern) entdeckt. beide waren bereits in mehreren bands und musikprojekten, aber erst mit fijuka verfolgen sie ihre eigene musikalische vision. es ist ein multi-instrumentaler, experimentierfreudiger pop, immer auf der suche nach neuen wegen der klangerzeugung. fijuka gibt es seit dem frühjahr 2011, im april 2013 erschien ihre debut-ep behave (from now on).

limited to 200 copies. three-track techno/house/bass hybrid ep from bristol via southampton producer state. inaugerating the no logo imprint with a solid ep containing added elements of acid, dub and garage. hot!

efficient, pure bass-line techno jacker

hot on the heels of bmm 002 comes the latest instalment of the birdsmakingmachine series – bmm 003 – a package combining their signature sine-bass laden grooves, steel drums and oblique melodies. >antonios swing<, as the title indicates, literally swings listeners into its rhythm with dark vocal snippets layered onto soft stabs and eerie melodies. >woodpeckers<, on the a2, takes a more linear approach, an effective dj-friendly tool that will please dancefloors in the late hours of the night/early hours of the morning. on the flip, in >silk road< we find a captivating, yet mysteriously funky minimal house affair that builds and builds until finally erupting following the break. the ep is rounded-off with >dead lines<, a broken themed galloping of bass kicks fused into moody melodies and reverberated far cries, resembling a genuine excavation into the depths of house music – another example that the birds are always trying to redefine the genres boundaries.

superb 12 inch compilation featuring four scorching hot old skool disco funk bombs all with enough vocoders, killer brass, screaming analogue synths and phat bass to blow the roof off any party.

three slices of lush from russia with love. the original track, described by mixmag as *a cross between phoenix and empire of the sun*, gets heavy treatment from swiss future classic and kitsune&#769,,,,, heroes pharao black magic, who delivers a pounding yet hypnotic, bass-heavy mid-tempo tune. lovemonk darlings space ranger keep it equally hypnotic, but bring back the speed and embed the melancholic vocals in some uplifting, moving yet club-banging sounds.

neue 12inch von bambounou, der franzoesischen waffe von 50 weapons und einer der sich am schnellsten entwickelndsten kuenstler des labels, mit kraftvoll-minimalistischen techno/house/bass-produktionen und remixes fuer count & sinden, strip steve, the aikiu und modeselektor bereits fuer aufsehen gesorgt hat

nach seinem szenehit surge sowie der vieldiskutierten navigate ep auf houndstooth lässt das manchesteraner bass-duo akkord, bestehend aus den beiden dj/produzenten synkro und indigo, nun sein selbstbetiteltes debütalbum folgen, auf dem es jungle-revivalismen, verrauchte ambiencen und tiefgreifenden dub zu einem darken uk-bass-sound fusioniert, dass einem das blut in den adern gefriert. das 180 gramm dopel-vinyl erscheint im geprägten cover mit pvc aussenhülle.

the third release for tici taci is a double a side - peach / deep blue from label boss duncan gray. both tracks feature the trademark tici taci sound of live bass and guitar blended with synths and audio treatments

nice price deal !!! chicagos dance mania-label hatte mit seinem charakteristischen jackin house von acts wie dj funk, dj deeon, paul johnson oder ron hardy mitte der 1990er jahre einen grossen einfluss auf die meisten boysnoize records-kuenstler

he/at (pronounced “heat”) is a new project from an established uk producer. this is the second he/at ep to date, following on from the *a death in the family ep* release earlier this summer. limited to a vinyl-only pressing of 500 (which sold out immediately), it was not repressed, bringing he/at to the attention of the techno community. *a terrible misunderstanding ep* contains 4 tracks of fresh, raw, bass-heavy techno as tempered and toughened as it is controlled, as melodic as it is intricate. this ep continues to build upon the rich history of proper techno from middle england, and also unfolds the next chapter in the rise of he/at…

then last up to wind down the ep, tuccillo turns in so hot feat. ch brown dropping the tempo slightly and introducing mr. browns hypnotic vocal lines alongside raw rhythms and tweaking acid bass.

bleary faces is the debut ep of berlin based fabian dikof. as a youngster he learned his first basic skills in producing and deejaying from mr. andre lodemann himself. all of the tracks featured here are on a slow-house tip without losing their ruff edge through a massive bass foundation. it is all about progresssion with a strong emotional build up. deep-house veteran vincenzo is on remix duties here. he re-creates the main track bleary faces with a new theme enhancing the original with some more disco-influenced touches.

moss co. is a new creative venture from the founders of moscow records. the label releases intelligent underground music, focused around minimalistic combinations of groove and emotion. the first offering is a split release from label owner archie hamilton, and young romanian talent hozoc. hamilton pulls rank and leads with *celines dub* which is ethereal, groove-led and filled with tension. delicate tones, snappy percussion and warm bass fill the spectrum to gratifying effect. on the flip hozoc is in heads-down mode on *drama* taking you on a bewitching 10 minute trip, packed with organic instruments and syncopated rhythms.

ahead of the deliriously deep and rhythmically complex debut album >face to face (out in november on serialism), phillippe quenum aka quenum first displays his rich, dynamic and sometimes soulfully melancholic sound across a teaser ep featuring two album tracks plus a tough yet shimmering remix from the ever classy and timeless, cassy. lead track >face to face< pulses with raw, rumbling bass as hard claps accent an unfettered groove scattered with delicate sonic nuances and a powerful vocal sample. from peak time to sunrise, >5 am< is an ethereal electronic voyage, with softly woven beats, rippling synths and melodic keys.

vinyl only! chunky beats and rolling bass will give the party something to remember. groovy and trippy release by clark davis. incl. huge yokoo remix.

d-floor drops a bass heavy ep from ilario liburni (invade records, klimaks) with an acid-infected remix from noir (noir music).

und es geht weiter - nach dem geglueckten labelstart von ritter butzke studio sind wir nun bereit für die naechste runde. das zweite release kommt ebenfalls von einem resident des hauses, naemlich patryk molinari, dessen >addicted to the vibe ep< schon ueber ihren namen deutlich macht wohin die musikalische reise gehen wird. die a-seite >addicted< ist ein 80s angehauchter track ohne dabei wie ein abklatsch aus alten zeiten zu wirken. getragen wird der song durch ein massives bass-fundament wozu sich dann im spaeteren verlauf noch wohlige pads und eingaengige weibliche vocals gesellen, welche den tracktitel besingen - >im so addicted!< die b-seite bietet dann mit >neon vibe< einen schoenen kontrast dazu. hier hat patryk wesentlich fokussierter auf den groove gearbeitet ohne dabei in die belanglosigkeit abzudriften. fuer die noetige spannung sorgen die tiefen maennliche vocoder-vocals, gutdurchdachte chord-rhythmen und natuerlich das punktgenaue drumming, welches sofort zum mitgrooven animiert. zu diesem track haben dann noch kotelett & zadak einen remix beigesteuert, der sich natürlich am original orientiert, ihm aber zugleich einen ganz anderen charakter verleiht. die beiden haben das thema deutlich percussiver aufgegriffen und den groove dann zusaetzlich mit einer sehr praegnanten bassline untermalt. das abwechslungsreiche arrangement und diverse effektspielereinen sorgen dafuer, dass mit sicherheit keine langeweile beim hoerer aufkommen wird. alles in allem ein sehr rundes release, wie wir finden, und daher hoffen wir dass es auch bei euch wieder auf anklang stoßen wird!